Showing posts with label Norval Morrisseau. Show all posts
Showing posts with label Norval Morrisseau. Show all posts

Tuesday, 16 November 2010

Owls (timeless) Norval Morrisseau

Owls
Norval Morrisseau
Acrylic on paper, 32” x 20”

“What I teach the people many times is that attitude and attention will determine the whole course of our lives. Get rid of fear and that is all you ever have to get rid of. Fear of anything at all.”

Norval Morrisseau

This quote is vintage Norval Morrisseau. A teaching as deep as it gets. It is literally the crux that my life pivots on.

Norval asked me to ask myself two questions on a regular basis.

What is my attitude?
Where is my attention?... because wherever it is, that is where I'm at.

To this I added two other profound considerations passed on by another "life" mentor, the late Lila Cole, mother of my oldest friend, Garth Cole, who testified at trial on both my and Norval's behalf today.

Am I willing?
Am I able?

Four simplistic questions, until you see them in concert. Spirit ignites and it's magic.

Attitude becomes "altitude".
Attention becomes "intention".
Willing becomes able.... and magic happens.

Norval was a unique teacher. His lessons are unforgettable. They are experiential gifts that develop one's power to "rise" to the occasion. This teaching can be viewed visually as a formula...

So how did it go in Court today? It was magic. WAAA - with a little "Just Be" and a ton of "All is Well". Like a game of chess, court is all very easy at the beginning when both sides lose the odd pawn. It's tough later on in the heat of battle and it finally ends in checkmate on January 11 2011. Bet on Spirit. I am.

I don't know when Norval painted "Owls" but its timeless, isn't it? This is just one of dozens of owl paintings by Norval. What I love about them is how cute they all are. I published this one because I felt like that little owl in court today, keeping my eye on the ball.

The big owl with his wings around me? Why, that's all of you, and your great (spirit) attitude. Thanks folks! You really outdid yourselves. All day I was in a bubble of clarity, peace and something else really extraordinary. It was a wonderful day.

I woke up with the song, "We are the Champions" by Queen dancing in my head this morning. It was there throughout the day. It's still playing in my head in stereo even now. I wonder why?

Stardreamer

Tuesday, 9 November 2010

Ritchie Sinclair (2008 - 2010) A Protege of Norval Morrisseau - Signs Off


" My eyes are now wide open and I see an overwhelming ever-growing body of evidence that tells me that I absolutely must do what I can to stop this. What I see are dangerous, dark pieces of art, that I for one would not hang above my bed and expect a good night's sleep."

Ritchie Stardreamer Sinclair
October 20 2008
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The defendant was referred to by counsel in their submissions both as Ritchie Sinclair and Stardreamer. The defendant describes himself as the "artistic apprentice" of Norval Morrisseau. Consistent with the allusion to which I have already referred, the defendant expresses a concern that: "Many of the works that are attributed to Norval Morrisseau however, are in fact counterfeit, and have been produced solely for the purposes of capitalizing off of Norval Morrisseau's fame and market value". It seems, from the record, that the defendant has made it his personal concern to identify, uncover, make known and even publicize works said to be those of Norval Morrisseau which he believes are false. In his affidavit, he says: I have no interest in identifying counterfeit Morrisseau paintings other than to perform a public service and to assist in protecting the legacy of one of Canada's foremost artists.


Lederer J.
Excerpt from the Judgment of December 8, 2008
Ontario Superior Court of Justice
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From October 2008 through November 2010 I published sensitive information about the proliferation of inferior counterfeit Morrisseau art. With the assistance of many (from all sides) who supplied materials, including Norval Morrisseau himself by way of his explosive sworn declarations, we painted a picture.

I have an undeniable faith in "truth" rising to the top. While identifying pieces in the forgery puzzle hasn't solved the problem I take comfort in knowing that the Norval Morrisseau forgery issue is the subject of a comprehensive R.C.M.P. investigation. I expect the very best from them.

The moment has finally arrived to turn my part in this effort over to Spirit and the Canadian authorities and turn my attention toward preparations for a spring exhibition of new art by myself and fellow Morrisseau protege, Brian Marion, to be held at the Lane Gallery in Yorkville.

Images of counterfeit Morrisseau art archived on Morrisseau.com will remain public to guide educators and students. Particularized information identifying forgers, distributors, suppliers and purported sources of fake Morrisseau art will be deleted from my websites. I feel compelled from within to do so.

I have developed a deep appreciation for our little circle of integrity and intent. Our shared desire for authenticity has rippled out to an ethical universe. We can expect results my friends.

May the Blessings Be

Ritchie Sinclair
November 10, 2010

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Sunday, 7 November 2010

Death Devourer of Human Flesh (1964) Norval Morrisseau

Death Devourer of Human Flesh
 Norval Morrisseau
(c.1964). Tempera on heavy light brown paper. 81.3 x 142.3 cm.
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Monday, 1 November 2010

Norval Morrisseau (1979) Peace with the Sinclair Family

Peace with the Sinclair Family
- Norval Morrisseau with Ritchie Sinclair's Mother -
Christmas 1979
*

In 1979 Norval named me Stardreamer and I was hired to apprentice with him. From day one Norval was a trusted guide through the world of Spirit. He never let me down. He never took advantage of me, nor did I take advantage of him. Norval and I shared a passion for making art and exploring Spirit.

Norval wasn't old at 47. He perceived himself as a youthful brother - and as a mentor. In 1979 I was 22. Now I'm 53. I've had time to reflect on the mentors in my life. Elders pass on their truth. It is a rite of passage. To a Shaman artist what could be more natural than apprentices? We are talking about fine art and Shamanism. Vocations where hands-on apprenticeship is a must.

A Great Spirit
Ritchie Sinclair
60" x 252" on six panels, acrylic and copper on canvass, 2008

This great artist and this grand shaman in one chose me because I was already worthy. I knew Spirit and Art before I ever met him. I was utterly dedicated to both. Norval (and my family) knew it. As such, Norval and I shared a wonderful friendship over decades.

Norval and I painted a number of paintings together in 1979. We both signed this one and gave it to my youngest brother as a Christmas gift. Norval also gave each member of my family a buffalo-head nickel and sang Christmas carols at the piano with my Grandmothers deep into the night.

Christmas 1979 with the Sinclairs
Ritchie's mentor, Norval Morrisseau, his Aunt, Mother, his Mother's Mother
Middle - His Father's mother and his brothers
Front - Ritchie Sinclair and his dog.
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To my loved ones. I'm so grateful for having shared life with people who love and respect me. The very best to my Grandmothers, my Aunt and Norvy, who persist only in Spirit. In sweet memory, lovingly recorded, we keep their legacy's nearby, within our beating hearts.

Stardreamer

Thursday, 28 October 2010

Nanabajou in Frog Skin connected with the Worlds flood (1968) Norval Morrisseau and the David Voss Letters (2001-2008)

Nanabajou in Frog Skin
connected with the Worlds flood
 - Norval Morrisseau -
Ink on paper, 22” x 30”, 1968
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Wednesday, 27 October 2010

Mishipashoo (1959) Norval Morrisseau

Mishipashoo
  - Norval Morrisseau -
Watercolor and pastel crayon on card, c.1959, 32" x 36"
Collection of the National Museum of Man, Ottawa

NORVAL

The last time I saw you, was the first time
Live, in person
The man
Live, in person
The Artist
Live, in person
The Icon
Live, in person
The Shaman

I walked through your exhibition at the NAG
I felt wrapped in an ancestor’s blanket

You Norval, the great one
You Norval, the innovator
You Norval, the astral traveller
You Norval, set the pace

Was there a race?
For the artworld to behold
To acknowledge the work of your ancestors told
To help the artworld and public understand
The medicine in your paint…is what is at hand
Ahhhhhhhh…look at his colourful work
OMG she faints…
…cuz the paint …

His paint…his paint!!!
Norval’s paint, pushing to and fro
You push the paint Norval with Shaman flair
With ease and grace…oh!! how you care
You pushed the paint across this land
You pushed the paint into the universe
The gallery was full of mind!
The gallery was full of spirit!

Multi hues and figures much
All there on the canvas, or brown paper, blue
All there on the birch bark too
Back to the old stories told
In the land where the ancestor roll
In the land where that spirit lives old

Colour so flash…across the canvas told
Stories of creation and how the people roll
The spirit beings and bears
Xray vision, oh so bare!

A movement you created through art
Grandfather of contemporary Aboriginal Art
You painted the canvas and the gallery beholds
Upon their white walls you showed
An ancient culture painted by a shaman on his ancient homeland
Stories of the land, sky and water too
Complex inter-celestial beings sat across from me to!
That Indian thang! of supernatural beings
Visit our people and bring
Teachings to us to share somehow

You choose the paint
As the paint must
Tell the words of old stories told
Tell the words of land and water as they hold
They hold our stories and ancestors too
Land and water beings all over this place
They connect us to above and below
Ahhhhhhhhhhh….to behold.

Paint the words of those underworlds
Paint the words of those aboveworlds
Paint the words of those supernatural beings
They harken to you to show their appeal
To show they are real
To show they bring gifts with them
For us to live in a certain way

Who will sway?
And listen to land.
Who will sway?
And listen to water.
Who will sway?
And listen to song bird sing.
I swayed so long ago and now I begin.

Turquoise blue you paint the sky
Turquoise blue the being crawled
Turquoise blue that healed so many
Uplift, uplift to the land of plenty?

The land of plenty? What is that?
Have we seen that upon our land?
What happened really? I want to know.
From the north to those ugly schools you go
I learned your story through books
I loved your work through books
I heard people talk about their Norval encounters

The stories that I only heard
Of a man named Copper Thunderbird
Of a man whom walked so gently
Of a man who painted endlessly
Of a man who shook the artworld
Of a man who showed them so

Some got it, what this man has shown
I am altered from how yo shone!!
Shine Norval shine in the land of peace
You!!! up there now…with all those…
Entities?

What shall I call all those worlds?
Swirling, twirling and swirling so
All around us… there you go
The man Norval who created so


Agawa Petroglyphs
Ojibway
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Sunday, 24 October 2010

Self Portrait - Devoured by His Own Demons (1974) Norval Morrisseau

Self Portrait.
Devoured by His Own Demons
 - Norval Morrisseau -
Acrylic on canvas, 68" x 57", 1974
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 - Published in the book, "The Art of Norval Morrisseau" (Pollock 1979) - Pg. 113 -
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Friday, 22 October 2010

Three Generations (1990) Norval Morrisseau and The Academy (2008) by Kent Monkman

Three Generations
Norval Morrisseau
1990, acrylic on canvas - Dyptch - 96" x 48"
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This brilliant painting is available to purchase NOW through Principal Morrisseau art dealer Bryant Ross of Coghlan Art in B.C.. Isn't it astonishing that art like this is still available on the open market? Imagine Picasso's like this floating around 3 years after he passed away. This is a museum piece. No doubt about it.

Friends came into town recently from Vancouver and England. I let them use my Art Gallery of Ontario membership card and told them to check out the multi-panel, "Man Changing into Thunderbird" by Morrisseau. I also told them to check out the Rembrandt of Cree artists, Kent Monkman's, portrayal of Norval in a long house, entitled, "The Academy".

The Academy
Kent Monkman
72” x 108”, 2008, acrylic on canvas
Collection of the Art Gallery of Ontario

The Academy
 - (Detail of Morrisseau / Vermeer) -

When one great artist paints another great artist into his painting, it says a lot about both artists.

My friends agree with me. Morrisseau's mural in the main foyer of the AGO is the single most dynamically charged artwork at the AGO. So much of the art in the AGO is wonderful in so many ways, including Monkman's awesome work of art, yet nothing rivals Norval's work for pure Shamanic power. i.e. Spirit Medicine.

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Thursday, 21 October 2010

Merman Is The Lord And Ruler Of The Water Of The World (1992) Norval Morrisseau

Merman Is The Lord And Ruler
Of The Water Of The World
 - Norval Morrisseau -
Acrylic on canvas, 90" x 48", 1992 , Titled verso by the artist's hand
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 - Exhibited at the G8 retreat, Huntsville/G20 summit, Toronto, June 2010 -
On view NOW at the Norval Morrisseau 2010 Retrospective
 - Oct 16 - Nov 20, 2010 -
Kinsman Robinson Galleries, Toronto
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"Merman the anchient (sic) half man and supernatural being who is the ruler of all the waters of the world in his protection and power to the individual, both by water and land, was a sought-after protector of the Ojibwa Indian shaman; for it is said that the merman own[s] the element of water in itself very powerfull (sic) to be channell (sic) to that power etc..."

Norval Morrisseau  

Isn't it interesting that this aptly titled painting found its way into the inner circles of World power. Given Norval's "Merman" statement, isn't it profoundly appropriate that they used it? Morrisseaus appear in the Halls of Power because Morrisseau paintings are Powerful....and that's putting it mildly.

Read more about the G8/G20 summits, the Retrospective and Morrisseau in a new article published by Woodland Artist, Mark Anthony Jacobson HERE

Check out a 1968 Merman painted by Norval Morrisseau.

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The Visionary (1977) Norval Morrisseau




Artist With Thunderbird Vision (The Visionary)
 - Norval Morrisseau -
70 inches by 50 inches, acrylic on canvas, 1977
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Christie's caught up as £30m forgeries
send shock waves through the art world
German police hold three suspects after works sold
through leading auction houses are exposed as fakes
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Panic is spreading through the art world following the discovery of forgeries among major 20th-century paintings sold in recent years by leading auctioneers and dealers worldwide, including Christie's in London.

More than 30 paintings, thought to be by artists including Max Ernst, Raoul Dufy and Fernand Léger, have been unmasked as forgeries, the Observer has learned. The fakes have duped leading figures in the art world into parting with at least £30m.

Four of the paintings have gone through Christie's, including forgeries of Ernst's La Horde, estimated at £3.5m and eventually sold to the Würth Collection, and André Derain's Bateaux à Collioure, sold for £2m. Six paintings were sold by the leading German auctioneer, Lempertz, one for £2.8m. The forger's strategy appears to have been to create compositions that would relate to the titles of documented works whose whereabouts are not currently known.

Dealers and collectors who have recently acquired works by the artists involved "are shaking over this scandal", one insider said. "They are in a panic over whether their paintings are also forgeries. Everyone's taking a second look." The panic is so acute that collectors are even seeking refunds on unquestionably genuine works.

One expert describes the forgeries as "gold standard". They cover many styles and include works by Heinrich Campendonk, the German Expressionist. Most are in the style of the particular artist, rather than a direct copy. All are believed to have been painted by a German forger over the past 15 years. Police are now investigating whether that forger is Wolfgang Beltracchi, 59, an artist from Freiburg, aided by his wife, Helene, 52, and her sister, Susanne, 57 – women described as "great charmers". All three are now in police custody. Two men are also being investigated.

The deception involved an invented story about inheriting the paintings from the sisters' grandfather, Werner Jägers.

Dr Nicholas Eastaugh, of Art Access and Research, a leading British expert in scientific analysis of paintings, told the Observer that he has seen four of the forgeries and conducted extensive tests on three. The results confirmed that they contain pigments not available when they were supposed to have been painted. One of the paintings, Campendonk's Rotes Bild Mit Pferden (Red Picture with Horses), was sold in 2006 by Lempertz for a record price.

Eastaugh emphasised that the duped buyer has given him permission to discuss the case. A painted sketch on the back of the canvas – suggesting that the artist was trying out another idea – is also a forgery. Clues to a painting's provenance, or history, are often found on the back of a painting. Many of the forgeries have fake labels from galleries or collections to give a further authentic touch, suggesting past exhibitions. The Christie's Ernst is said to bear a false label, "Flechtheim Collection", which aroused the suspicions of the distinguished historian and Flechtheim biographer, Ralph Jentsch. Labels on other works suggest they are from the "Jägers Collection".

One duped auctioneer said: "It's significant that these paintings have been through the sale process before they got to me. They must have been sufficiently convincing."

The buyer of the Campendonk was Trasteco, a trading company in Malta, which is now claiming back the purchase price. The firm is one of two collectors represented by Friederike Gräfin von Brühl, a German lawyer at K&L Gates. She said: "For the art world, this is a big scandal. Everyone is shocked."

Christie's London – which handled alleged forgeries that include Campendonk's Girl with a Swan, sold for £67,000, and another painting that fetched £344,000 – said: "We take any doubt surrounding authenticity extremely seriously and are investigating the matter fully."

Dalva Alberge
The Observer
Oct 17 2010

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Friday, 15 October 2010

Shaman with Medicine Powers (1978) Norval Morrisseau

Shaman with Medicine Powers
 - Norval Morrisseau -
acrylic on canvas, 1978, 71" x 41"
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(Portrait of Brian "Little Hummingbird" Marion)
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2009 Endorsement of Ritchie Sinclair
written by Brian Marion
Filed in Otario Superior Court - August 2010
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Wednesday, 13 October 2010

Loon & Fish (c. 1970s) Norval Morrisseau

Loon and Fish
- Norval Morrisseau -
SILKSCREEN; SIGNED, TITLED AND NUMBERED
- Available through Waddingtons -
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Thunderbird (1987) Norval Morrisseau

Thunderbird
 - Norval Morrisseau -
Acrylic on canvas, 36" x36",1987

 - View "Thunderbird" at the Norval Morrisseau 2010 Retrospective -
Oct 16 - Nov 20, 2010
 - Kinsman Robinson Galleries, Toronto -
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Sunday, 10 October 2010

After the Bear Dance (1997) Norval Morrisseau


After the Beardance Ceremony
The MicMichael Canadian Collection - 1997

Norval Morrisseau performed a Beardance Initiation on Sept. 28 1997. It took place on the grounds of the McMichael Canadian Collection in Kleinberg, Ontario. Protege, Ritchie Stardreamer Sinclair and spiritual son, Gabe Weekan Vadas, took part. This film shares what transpired after the Beardance. The following passage describes this film and provides a transcript of Morrisseau's address to those present.
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Copper Thunderbird completes the sounding of the drum. Bear is laid to rest. Stardreamer expresses his appreciation to the Grand Shaman and returns the Kodiak Bearclaw that Copper Thunderbird presented to him when Stardreamer accepted Bear as his Shamanic guide seven years before.

Copper Thunderbird places his hand on Stardreamer's forehead to ordain him. He places the ceremonial headdress of the Grand Shaman on Stardreamer's head to empower him.

Assistant Shaman, Weekan, thanks Bear who is then placed at Morrisseau's feet. Morrisseau removes Weekan's Shamanic headdress and places it on Bear. He gifts Stardreamer's Bearclaw amulet to Weeken and then speaks to those gathered....

Thank You people

The Blessing is free. We won't charge you

We don't generally do this in public.

I am a Grand Shaman. This is like when the bishop comes to his chuirch and gathers his priests to ordain.... the ones that he is going to ordain.

He's a Shaman...
Mind you this guy's a Bear and we are going to ordain the Bear as well.

Our people a long time ago... had these types of ceremonies that weren't too public.

And the reason why they did it... it was an earth renewal ceremony. Everything renews itself because we are too polluted. Everything that we breath. Everything that we eat. The only thing I guess that's not polluted yet is our Spiritual environment. But it is our duty to maintain and keep that environment intact... if we ever get it polluted.

So each individual person that views the ceremony can interpret it in his own way...to give him an idea

Its the same thing as a person who goes to see a picture inside the art gallery. It is nice to sell those pictures, but yet the real purpose is for someone to look at the paintings.

I don't know how many of you people ever have Technicolor dreams but in that Technicolor world that we have inside each one of us... every time you look at my pictures or the colors,... the colors especially... not the images...it brings out that Indianess in you...

For we are only here to bring out more Indianness.

Norval Morrisseau
1997 Beardance Ceremony at the McMichael Canadian Collection

Saturday, 9 October 2010

Quail Family (1973) Norval Morrisseau

Quail Family
Norval Morrisseau
1973, acrylic on artist board, 33" x 22"
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One autumn I watched Norval climb up a country fence and deliver a lengthy speech to thousands of turkeys. They were far off behind a hill in the distance. You couldn't see them except for a few heads bobbing here and there until Norval climbed the fence.

With an exhilarating haste the hoard descended down the hill at breakneck speed to greet Copper Thunderbird. I was shocked. Norval laughed. They all seemed very interested in what he had to say so he gave it his best shot. His speech included a climax and an epiphany.

Norval was euphoric about the episode for days. The turkeys had responded to him and he appreciated it immensely. Why? He knew where they were going and he felt that he had assisted in providing them safe passage. He told them not to be afraid. That they had done well. That they were beautiful and strong. That they were all great souls. That people would be better because of their gift. He told them they were special turkeys and he knew that because he was there speaking to them.

He put his great big heart around them and blessed each of them. And he kept blessing them through the Thaknsgiving holidays. Years later he would mention them as if to say, "Those were the good old days...the days when I talked to the turkeys." By sharing his sweet memory of that moment he continued to bless their short existence over and over again.

Most people eat turkey on Thanksgiving. Norval talked turkey

Stardreamer

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In a 1984 interview Norval brings up the turkeys to make a point about attitude and attention:


Once I lived out in the country where I had to walk two miles to get to a telephone. So I was walking along feeling sorry for poor old Norval and I passed a turkey farm. There must have been over 3,000 turkeys on either side of the road kept back by fences.

As I walked by, I began to be aware of the sound of one turkey after another as I walked and they conversed. I thought of St. Francis and wondered if he really talked to the animals or was it the vibrations from this magnetic force within us.

The more I thought of that the more I forgot about anything else. I just had a chat that made me more aware that we are just a molecule within a molecule in the body of God. That allowed me to forget my own radiance and that's what I'm talking about. The thoughts just stop coming into your consciousness. That's what I mean about my painting coming from somewhere else.

I'm just as simple as anyone else - and maybe more so and there isn't anything that I can't do. Wherever your imagination goes your mind is sure to follow.

Norval Morrisseau
1984

Wednesday, 6 October 2010

The Great Rabbit Nanabozho (c. 1969) Norval Morrisseau

The Great Rabbit Nanabozho (Untitled)
Norval Morrisseau
acrylic on paper, 24" x 16", c. 1969
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Through contrast beauty is experienced and consciousness realized. This is the Shamanic path which Norval identified as the "razor's edge".

Without evil, compelling acts of conscience from us, we remain in stasis. Merely ignorant angels. Divine, yet passive, spectators. Where would Christ be without the contrast? I relished studying Buddhism as a science but I don't see the love in it. Love is action. Turn water into wine. Bathe your lover's feet in essential oils. Heal the sick. Rage against shady priests and businessmen. Dream the dream and share your Visions.

Do something....Do anything of the sort and you can count on contrasts appearing on the distant horizon.

Norval Morrisseau was the quintessential Pisces. It comes as no surprise to me that this "grand gesture" of lower astral plane Shamanism would arise from the bowels of the Earth.

Envision the great horned snake, laden with its pouch of magic medicine (karma) purified by the brilliant light (bite) of Copper Thunderbird who "shines like seven suns". Without the snake there is no medicine. There is no need for the "Superman within".

This is the high drama that authentic Shamanism creates. It's so Norval.

This battle between fake and authentic is the trickster in action. This is the shape-shifter transforming reality. This is the great teacher, MC, artist, co-creator and founder of the Grand Medicine Lodge doing its thing. This is the Great Rabbit. Host to the heavenly host. Have a peek at Norval's epic mural, "A Separate Reality". Do you see Nanabozho running the show?


Nanabozho Pictograph
Bon Echo

We must wrap our wings round this forgery duality. When Jesus said, "Get thee behind me Satan".he didn't mean, "Die Satan". He just wanted him put in his place - and so it is with forgers and forgeries. We want them put in their place.

The imminent result of all this is that our special friend, who we are so incredibly proud of, will take his place beside the other great masters, just as Gabe predicted on National TV in 2006.

A large part of the credit for this emergence must go to the moths attracted to Copper Thunderbird's light. By their acts of indiscretion they have incited a potency I call "the Norval Morrisseau effect".

Two years of my life have been devoted to ensuring Norval's work lives on. Far more years of effort and concern on the part of Bryant, Gabe and many others.

As an example, Don Robinson comes to mind. The many battles this man has fought few know about though we all know about the unwarranted abuse he has taken for a decade. The bravery and fortitude of mind to pick himself up after that and create multiple Expert Reports and testify is commendable. He deserves medals, but for his effort and for associating with me he got sued. Not once but twice!

This is the Norval Morrisseau effect. People going beyond the call of duty and common sense to assist. New people with strength of soul arrive with increasing regularity. The truth is coming out. Norval Morrisseau's brand of Shamanism is unstoppable. To a Grand Shaman "Truth" is a very BIG word.

Stardreamer

Monday, 4 October 2010

Mother and Child (c.1992) Norval Morrisseau

Mother and Child
Norval Morrisseau
acrylic on canvas

This stunning painting is available as a limited Edition serigraph.

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Friday, 1 October 2010

The Legendary Omish-shoos (1971) Norval Morrisseau


The Legendary Omish-shoos
Norval Morrisseau
Ink and acrylic on paper, 15x20inches, 1971

View "The Legendary Omish-shoos" at the
Norval Morrisseau 2010 Retrospective
Oct 16 - Nov 20, 2010
Kinsman Robinson Galleries, Toronto
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Great artists are seers who have the ability to reach both ahead and back in time while still maintaining relevance to an everchanging present. Norval Morrisseau was a supreme visionary whose legacy will endure forever.

Greg A. Hill

Thursday, 30 September 2010

Shaman Transforming With Bears (1986) Norval Morrisseau

Shaman Transforming With Bears
Norval Morrisseau
Acrylic on canvas, 47.5x29.5inches, 1986

View "Shaman Transforming With Bears" at the
Norval Morrisseau 2010 Retrospective

Oct 16 - Nov 20, 2010
Kinsman Robinson Galleries, Toronto
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Algonquin Park = Bear Country

Wednesday, 29 September 2010

Sunshine (1985) Norval Morrisseau


Sunshine
Norval Morrisseau
Acrylic on canvas, 72" x24", 1985
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Astrology was foundational to Morrisseau's metaphysical philosophy. It provided him with symbolically charged imagery to re-interpret nature's cycles as they expressed themselves in his life. To Morrisseau Astrology was a very personal science.

"Sunshine" was an energy Copper Thunderbird required. He identified "Sunshine" as the First Cornerstone, the Spring Solstice, the Aries and the Morning Star. "Sunshine" heralds emergence, hope and the beginning of a new cycle of inspiration.

This archetype was Morrisseau's ecstatic muse and an essential driving force in his work. The portrait above entitled "Sunshine" is a snapshot of "Tala", glorified into Godlike status by Morrisseau. This painting was created at the Richmond Street Morrisseau Studio in Toronto, 1985.

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